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Something East Something West (II)

Dixon Ngai’s Handpainted Porcelain Experiments 魏德龍手繪瓷器實驗

SOIL-Dixon-Ngai-handpainted-porcelain
Something East Something West (II) 亦東亦⻄

Dedicated to the art of handpainted porcelain since secondary four, Dixon Ngai believes that the younger generation shoulders the responsibility to inherit traditional craftsmanship. In this exhibition, SOIL hopes to provide the endeavoured youngster with a platform to live up to his aspiration.

魏德⻯自中四開始不斷研究廣彩,以赤子之心研究傳統技藝,只有19歲的他早已認定年輕人有責 任去承傳古老行業。SOIL希望藉着這次小型展覽讓他的抱負展出第一步。

Influenced by his learnings at the reputable Yuet Tung China Works, Dixon developed his standard of "beauty" and "liveliness" on traditional art while instilling contemporary elements into his art pieces.

魏德⻯認為廣彩有很高藝術價值和歷史價值,理應受到保留,可是廣彩業隨著師父們的退休而面臨失傳,他在粵東瓷廠學藝期間深受譚志雄師父影響,努力摸索中並希望對傳統的「美」,注入新元素。「林斷山明」是他為自己的廣彩作品初建立的平台,也是他為廣彩開拓新的舞台。

Interview 訪問文章:

8 Aug - 4 September 2015 SOIL, PMQ

About SOIL

Founded in 2012,  SOIL aims to promote crafts through the inspiring history, culture and humanity behind them.

 

We offer a new perspective and experience to traditional crafts. 

In collaborations with designers and craftsmen across different 

disciplines and cultures, we hope to create better craft designs exposed to alternative methods and materials. Collaboration spreads our design sphere of influence and breaks down walls with new approaches.

SOIL 土壤文創於2012年成立,與不同地域的創作人合作,

嘗試從歷史、人文和文化的角度,研究及推廣傳統手作設計,讓手工藝重回現代人的生活中。

我們連結不同領域、喜愛及深懂工藝的創作人和傳統匠人,

一同發想、一同設計,讓傳統工藝與現代設計互相對話和影響。

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